RubyGayle Jackson started china painting in 1925. She has some interesting stories to tell, so I will just convey a little about her here, in her own words:
Computers are newer to me than china painting. My son decided a couple of
years ago that I needed a computer. I wasn't so sure. I have really enjoyed it and like a
micro wave-how could I get along without it? But I will confess I am lazy about learning.
It is so much easier to call Bob (son) and say "how"? The language often throws
me. I found that I often had to learn how to do an operation and then I could read the
book and understand! So much for technique.
A little about me. I grew up in a very small town in southwestern Okla. When I was about 8
or 9 I went to Hobart, about 25
miles away, to spend a week with a little girl friend. During my visit we, and her mother,
were invited to have lunch with two of her mother's friends. I can still remember that
when we walked into the dining room I was spell bound! The table was set with the most
beautiful hand painted china I had ever seen. Little pink roses on every thing!! I
couldn't wait to get home and heckle my mother until she could find someone to teach me to
paint china. That took a bit of doing but a young student in a little college 30 miles
from my home agreed to teach an older girl and me. It was a 30 mile drive on
Saturdays over red clay dirt roads.
The college had a kiln. A big old black, kerosene fired thing that took a couple of days
to bring to maturity and then as long to cool. It was only fired when it was loaded full,
which might be a week or a month. This was about 1925, I was 10 yrs. old. I'm sure the
trips stopped when the winter weather made roads impassable. I had done about a half dozen
pieces. I
still have two. One included the use of lustre and Roman Gold. I still have many of the
first supply of paints in a wooden box and even a pat of Roman Gold that I can't stand to
use. The price, still on it, is 45 cents!!! There was no such thing as our wonderful kilns
like we have today.
There are many people painting today, I'm sure, who are as old as I (82) but probably few
started so long ago and have seen so many changes in China painting materials and
techniques, as I have seen.
There was no more china painting until I was married and moved to another small town in
northwestern Okla. Our first walk down the main street was past a little gift shop where
hand painted china was displayed. "China painting lessons!" We lived there 10
months before my husband was transferred. I think I must have lived at the china shop more
than I lived in our apt. that 10 months. This was in 1934 and still the era of the big
black kerosene fired kiln. I painted a breakfast set (wild roses, of course), a dozen
dessert plates, all different, and several small pieces. Some of pieces of this set
are shown on this page.
Once again the transfers came regularly and in a few years, a family. During the war (WW
II) years we lived in Okla. City and I missed a wonderful opportunity to study with some
of the very good painters there. It was a time with a young family and all of the demands
of the time. Years passed and in 1955 we moved to Ada, a pretty town in south central
Okla. I went to work at Sears and retired in 1980.
I had a young friend who knew I had painted and she would often say "you must start
painting again". And I always had an excuse. In late 1984 she came by the house one
day and said "We are building a new home, I have a new kiln and I won't be using it
for at least a year, I want you to use it and paint", and she brought it to me. I had
just read in the paper where a
small china painting club here would be having a series of free lessons for anyone
interested. I went and I've painted hundreds of pieces since that day. I took a few
lessons from a young lady who was a very good artist but so new at china painting I found
that I did better on my own with the help of many of todays good books and studies.
My first shock was that there was an 'open' medium. What in the world was that? And what
were they talking about 'C strokes'. Strokes? I thought you just painted. And what had
happened to those wonderful lavender oil and clove fragrances that were always where china
was being painted?? And even though I had played with ceramics in the 50's and had a kiln
available it was wonderful to be able to fire as many, as few and as often and when I
wanted. I painted day in and day out. No amount of therapy could have done more for my
morale. I made the conventions, attended seminars at the WOCP
Museum in Okla. City and joined the china painting club where we often brought in out of
town teachers. I took a course in acid etching, raised paste and gold, have worked with
enamels, matt, metallics tapestry, and have experimented with any thing I could think of.
I have received some nice awards but have never sold a piece of my work. I felt that the
renewed opportunity came to me at such a needed time that I wanted to give back any help
and talent I have to teach others. For some time, my home was open every Friday for
anyone who wanted to come and paint. I've really slowed down and haven't painted much the
last couple of years. Not lack of interest, just days too short to do all the things I
want to do and have the energy for. Adding the computer hasn't helped in conserving time!!
I've found that I paint much better when I am painting for a special person or for an
special occasion. I have pieces in several foreign countries as well as most of our states
and I hope the ones who have them use them. I doubt that there is ever a day that one or
more pieces of my china is not being used. I have painted several sets of dinner wear but
I don't like to paint the same thing over and over. My favorite set has three small
designs on each piece, none alike. Yes, I have favorite pieces and they aren't always ones
that others especially like.
If you would like to email RubyGayle to let her know how you like her paintings, her email address is rgjack@chicksaw.com. You can click on the hyperlink below to send her email now.
Send E-Mail to RubyGayle Jackson
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Here are some of RubyGayle's paintings.
RubyGayle Jackson's Paintings
Nature Study on 11 1/2 inch
Bowl Image Size: 22K This bowl is 2 inches deep. It features a bird,
butterfly, fruit and flowers. It is from a Miguel Jiminez study. |
Grapes on Large Bowl Image Size: 25K This bowl is a WOCP Museum Selection. The
second part of the photos shows the shadow leaves on the reverse side of the bowl.
This is from a Catherine Woods Study. |
Pink Poppies and
Wheat Image Size: 27K This piece was given to Pauline Harper. It
has a Rainbow Luster Border with Roman Gold for the detail and edges. |
Dessert Set Image Size: 28K This photo shows three pieces of six in a porcelain dessert set painted by RubyGayle in 1996. These were done from some 1 1/2 inch magazine pictures. |
Wild Rose Breakfast
Set Image Size: 27K This set was painted by RubyGayle in 1934. |
Bavarian Luncheon
Set Image Size: 23K Every design in this 5 piece Bavarian Luncheon Set is different. Liquid Roman Gold was used for the edges. This set was painted by RubyGayle 1988. |
Nasturtium Plate Image Size: 43K This plate was painted by RubyGayle in 1997. It has an antiqued border, touched with Gold. |
Dresden Clock Image Size: 30K This clock is 9 1/2 inches diameter. It was painted by RubyGayle in 1991. |
The next four plates (a series of seasons) are some of RubyGayles favorites. Spring |
Summer Image Size: 33K "Summer". Another in the series of children's paintings done by Vernon Thomas for Good Housekeeping magazine covers - 1934. It was painted on a 10 1/4 inch Porcelain Coupe Plate by RubyGayle in 1989. |
Fall Image Size: 33K "Fall". Another in the series of
children's paintings done by Vernon Thomas for Good Housekeeping magazine covers - 1934.
This also was painted on a 10 1/4 inch Porcelain Coupe Plate by RubyGayle in 1989. |
Winter Image Size: 33K "Winter". From the series of
children's paintings done by Vernon Thomas for Good Housekeeping magazine covers - 1934.
RubyGayle painted this on a 10 1/4 inch Porcelain Coupe Plate in 1989. |
Giant Magnolias Platter Image Size: 33K This is a 14 1/2 inch porcelain Platter painted by
RubyGayle in 1985. It is from Martin Johnson's "Giant Magnolias" Circa
1885-95. The canvas hangs in the R.W. Norton Art Gallery, Shreveport, Louisiana.
The border is Liquid Bright Gold, painted over Old Gold Overglaze Paint. This
is another of RubyGayle's favorites. |
Coupe Plate from Antique Matthew Pratt Plate Image Size: 33K This 9 inch Coupe Plate was painted by
RubyGayle in 1989. It is taken from an antique plate by Matthew Pratt, Circa 1800.
The border was air brushed and the design wiped out. The center design is overglaze
paint. |
Three Porcelain Pieces Image Size: 33K These three porcelain items were painted by
RubyGayle. The Large Platter in the center (9 1/2 x 13 1/2 inches) is from a
Catherine Klein study. |
Hummingbird with Water Lilies Plate Image Size: 33K This painting is on a 12 1/4 inch plate. It
has an acid etched border, finished with Liquid Bright Gold and Ruby Lustre. |
Portrait Image Size: 33K This portrait of Myrtle McDonald Marrs at age 16
or 17 is done on a 12 1/2 inch plate. It has an acid etched border finished with
Liquid Bright Gold and Rainbow Lustre. It is from a small sepia print made about
1905 or 1906. |
Fruit Plate Image Size: 33K This painting is done on a 12 1/2 inch plate. It has an acid etched border finished with Liquid Roman Gold. It is from a San Do study. |
Anniversary Plate Image Size: 33K These flowers are painted on a 12 1/2 inch plate.
It has an acid etched border finished with Liquid Bright Gold. |
Fisher Lady and Cat Anniversary Plate Image Size: 33K This painting is done on a 12 1/2 inch plate.
It has an acid etched border finished with Liquid Bright Gold. It was painted
for Pauline and Jack Harper for their 50th Wedding Anniversary in June 1992. (The
second picture is from the back of the plate) |